GAH!

[webbgirl]

I'm 3/4 through (and missed a tiny bit at the beginning), but GAH! Matt's story is finally interesting. And he and Mohinder are a total couple (dude, there's no sub in that text) and I can't read the fic about them. This is for personal reasons on this one. I just can't read any fic with Matt.

I'm betting on West being a plant of some sort.

I'm also wondering how many family bloodlines are out there with powers. Or maybe they were helped along by the original group. Does this mean that Linderman has spawn out there somewhere? Someone with a British accent, please. (That's for my own personal kink factor.)

Maya is soooo screwed.

Is it completely wrong that I find Sylar hotter when he does that evil look?

Aaaand we have giant cockroach again.

Comments

[webbgirl.livejournal.com]

I might try a G rated fic to see if it would break my brain or not. I just love the two of them together. And you know that if the writers decided to go into a full on hoyay with the two of them, they'd be all over that. I mean hell the cast already smirks about the Petrellicest stuff.

[nialla]

There's a lot of Matt/Mohinder G-rated stuff, well, at least out of the amount of fic that's been done since the start of the season. I think it's because so many are fascinated with the "Molly Has Two Daddies" concept and like the domestic aspect. A few of the PG ones do have references to sex, but nothing graphic.

All of the actors seem totally onboard with the hoyay concept, even the Petrellicest stuff. I keep wondering which American show will be the first to really "go there" with a m/m couple as regular characters, and Heroes might be it.

I've been following such a storyline on a soap opera, but there's not really been anything in primetime yet. It does seem like primetime shows tend to be the first to show something in an episode, but soaps are the first place where it really gets shown as part of a storyline. I guess they're sort of a "testing ground" for possibly controversial storylines, since they're done on a daily basis and can quickly change course if the audience reacts badly.